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PADAIR NIRANTARA KRUTAIHI
TATHA SAMANAKHIRABHI
SAMAPADA SMUTA CHARI VIGNEYA
STHANA SAMSRAYA
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Both the feet are placed together with the nails of the toes drawn closer and the dancer stands on the spot.
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BHUMIGRUSHTENA PADENA
KRUTVABHYAN TARA MANDALAM
PUNARUTSADAYEDANYAM
STHITAVARTA TU SA SMRUTA
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| One Agratalasanchara foot is placed crossing the other foot and drawn separated. The same movement is repeated with the other foot as well. |
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NISHANNANGASTU CHARANAM
PRASARYA TALASANCHARAM
UDAHITAMURAH KRUTVA
SAKATASYAM PRAYOJAYET |
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One Agratalasanchara foot should be lifted and put forward, while the other leg is also stretched wider. Here the chest should be lifted up. |
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SAVYASYA PRUSHTATO
VAMASCHARANASTU YADA BHAVET
TASYOPASARPANAM CHAIVA
GNEYA SADYARDHIKA BUDHAIHI
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The right foot should touch the backside i.e. the heel of the other foot and should be drawn to the front. The same movement is repeated with the left foot too. |
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